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Canto the First

The City of Queen Glorianne,
The Elven capitol,
Is hard besieged by Archimag
Who bargains for her soul.
1.
The Elven people of the land called Faere
Founded a city at their country’s heart,
A capitol, a citadel, designed with care, 
Known for its joyful people’s craft and art;
But as our eyes admire its every part,
We notice round about it on the plain
A gathering of powers at the start
Of something sinister and full of pain:
We see the scattered cattle, and the trampled grain.

2.
Hard boots and heavy engines break down stalks
And stems, and crush whatever cannot run;
Rude hands rip fences, steal stored corn, crack locks,
And desolate the fleeing husbandman;
The hobbled and the old, the little one
Upon their keepers’ arms seek city gates,
As all around them siege works are begun;
But in the city square a lady waits
To give them help her healing heart creates.


3.
As lesser monarchs might strew golden coins,
Faith, hope and love Queen Glorianna strews:
Faith that her people’s faithfulness rejoins,
Hope that her nation’s hopeful heart renews,
And love, such that each citizen would choose
Of all the places in the whole world wide
Here to remain, and never would refuse
A soldier’s station at this lady’s side,
Where they will stand, and even in death’s shade abide.

4.
While Glorianna tends each refugee,
A crowd of citizens is rallied round
Five captains from a single family —
A father and his sons, all soldiers bound
To Glorianna’s service, well renowned
For deeds and qualities; Each volunteer
Is posted on the ramparts that surround
The homes and loves ones whom they hold so dear;
The queen calls them to listen, and they turn to hear.
 
5.
The east-wall captain, calm Integritis,
Turns readily to hear the lady’s speech,
And makes room for his brother, Caritas,
Who pushes past, keeping his sword in reach;
The eldest, Episthomas, (trained to teach,)
Pauses from readying his southern force,
As third-born Enthuzias scans the breach
That roughly interrupts the northern course,
Where his men fortify against both foot and horse.


6.
Captain of all, and steadiest of all,
Imaginatius, father of the four,
Is standing with their mother, Inspiralle,
Suggesting that she double bar the door
Against the dangers of the coming war.
She understands. 
                            I will stand up to fear,
She says; Now husband, we can talk no more;
As Glorianna speaks, we’ll pause to hear;
(She whispers:) Always, I am next to you my dear.

7.
The patient look on Glorianna’s face
Suffices to arrest all anxious talk
Among her folk, now gathered in one place
To hear her speak before the coming shock.


I wish, she says, that we could jeer and mock
And laugh our way to safety and to peace;
But no; I must now call on you to walk
Into a troubled storm that must increase
Til we prevail, and all these weary troubles cease.

8.
There is so much I do not know today —
Who are these enemies we never earned?
What could they want before they’ll go away?
But I am seeking insights; Once they’re learned,
I’ll share the news with you; For now we’ve turned
To arms — they’ve forced our hand, we cannot wait;
Our livestock have been killed and houses burned;
Such outrages we cannot tolerate;
So now we must defend our city and our state.

9.
By state I do not mean buildings and land;
No, I mean what we are, and what we hope,
The way we listen, seek to understand
Our different dreams, the different ways we cope
With life’s sometimes steep, often perilous slope;
I mean the countless unseen cords that reach
Into and bind our hearts, the loving envelope
Of family and friendship that folds each
Of us in its strong arms; For all this, I beseech:

10.
Both volunteers and soldiers of the guard,
Promise your Glorianna, every one,
You will take heart, not let your hearts grow hard;
Though terrible this battle now begun,
Stand up to terror — stand when you would run;
Think on your loved ones as this battle rolls;
Their lives depend on you; Promise you’ll shun
All hate, so when we count this battle’s tolls,
Though we count tendered lives, count no surrendered souls.

11.
Imaginatius calls: Soldiers disperse
Each to your station you have been assigned;
Don’t linger with your people — it is worse
To wait — now send them safely home, behind
The walls, beneath the roofs you’ll keep in mind
As we together face what we must face.

Kisses, embraces, farewells of the kind
That have marked every call to war take place
Beneath their queen’s fond gaze and special grace.

* * *

12.
Before the brief assembly in the square,
Queen Glorianna had dispatched a scout
To each point of the compass, searching where
And how the forces are arrayed about
The city walls; She charged them to find out
What kings and captains bring their armies’ might
To battle, and to listen for each pout
And peeve that might imply some injured right
That moves these multitudes to gather for a fight.


13.
The central tower in the city square
Has four staircase approaches, one per side;
Imaginatius and the queen are there,
And hear the scuff of each approaching stride
As all four scouts appear; Having defied
The enemy successfully, they can
Report details about the swelling tide
Of foes; Through casement windows they may scan
Each force in turn, and so begin to guess their plan.

14.
Northward, the Prince Enri’s host is arrayed,
And where the sky yields to the low sunrise,
Prince Ayez and his lackeys are displayed;
Prince Fides’ force, known by its canting cries,
Wheels and counter-wheels where the south wind flies,
And on the ever-brightening western plain,
The golden baubles and the trinketries
That decorate both foot-soldier and thane
Distinguish gross King Mammon’s troops and train.


15.
On all sides, war-like engines, topping towers,
And catapults roll ever closer, pulled
By flinching wretches, on whose backs sharp showers
Of harsh blows rain; Their sense of pain is dulled,
As all their human feelings are annulled
By covetousness, longing, even lust
For promised spoils and treasures to be culled
From Glorianna’s city once the thrust
Of ram and crush of stone reduce its walls to dust.

16.
So scouts account the jealous circling arms
Of those investing forces at the walls;
Besides no one can tell what evil charms
Of wild magicianship, what secret calls
To savage monsters, what unnatural falls
Of jagged rock or blasting fire might be
Called down upon their heads and homes and halls
At mere command of this strange enemy;
The queen fights to maintain her equanimity.

17.
Tell me your thoughts, Imaginatius asks
Softly.
            The look upon her face replies.

As bad as that? he laughs; We must don masks
Before addressing groups of any size,
Or learn the subtle art of telling lies
If we aspire to bolster hope among
Our countrymen; The legend in your eyes
Suggests to me that these reports have wrung
Hope from your heart — but let your eyes yield to your tongue.

18.
Alright, she says, I’ll tell you what I need
From you, since you so sagely read my mind
Without a word from me; I must concede —
We cannot plan our way to hope, inclined
As I may be to order you to find
Some stratagem to fool ourselves that we
Have power to control this awful bind
We’re in; Explain now what I cannot see —
Where we can find some hope, if not serenity.

19.
Responds the captain: Ma’am, just as you say,
We would be fools to place our hope in schemes
Or calculations; This upcoming day
Has wrapped us in uncertainties, it seems —
We are surrounded on each side by teams
Of seething enemies we never sought,
Who give no indications of the themes,
The phantom provocations that have brought
Us to the brink of battle, almost certain to be fought.

20.
Like country folk beset by winter storms,
This sorrow is a season, don’t you see?
So he continues: Neither of us knows
How long the storm will last, or what will be
The outcome; Faced with such uncertainty,
We place our hope in our will to persist —
We stay alert to each contingency
As it arises, flexing with each twist
Time takes, and hope that Spring will find we still exist.

21.
She smiles at him.
                              Now that’s a face to trust,
He laughs, one I will follow through the storm.

The queen replies: All that you say is just —
The very thing I need to hear; We’ll form
No self-deluding master plan, the norm
In circumstances such as we face now;
Persist — adjust — persist, yes, I can warm
To that sort of a plan; And that is how
We shall approach it, she says; Now, if you’ll allow
A minute, please . . .
                                  He steps away, making the slightest bow.

22.
But when she turns from him to look afar,
Her eyes reach further than her words have gone;
She looks beyond her city, all astir,
Beyond the north wall, weak and broken down,
Beyond the enemy, still coming on,
To where the sky and earth meet in a line;
Then to that line her secret heart is drawn,
Hoping she’ll see at last that brave combine
Of Arthur and her knights, bearing triumphant sign.

23.
The queen’s consort, Prince Arthur, and the knights
Who share with him responsibility
Protecting Glorianna’s realm and rights
Have been absent a month — Where can they be?
She asks herself; They might be roaming free,
Pursuing some commission, some fine quest,
But oh, how desperately I long to see
My Arthur, Artegall and all the rest
Relieve my city and my people, so distressed.

24.
A parlez, ma’am! (a page calls to his Queen.)

Turning attention to the northeast plain,
She can distinguish riding out, between
The forces there arrayed, a narrow train
Of riders dressed in cloaks of coal black stain;
They number fourteen, riding in a row,
With uncloaked guard around them. 
                                                          Who’ll explain
This band’s intent? the Queen asks; Page, please show
Them by some sign that I will meet with them below.

25.
The page departs; Imaginatius calls
A squad of soldiers to the eastern gate;
Horseback, they venture far outside the walls
Toward the riders who stand still and wait;
The queen and captains do not hesitate
To lead their guard directly to the line
Of silent, sullen enemies, whose hate
And baffling savagery, lacking design,
Present a puzzle Glorianna must divine.

26.
Their counterparts await in perfect silence,
Motionless, giving not one indication
If they will parlez or burst into violence
Before the riders reach the open isolation
This enemy has chosen as an apt location
To hear whatever they might have to say.

The queen speaks low: They chose this destination,
So be on guard; The war won’t end today,
But we will know more than we did once we parlez.

27.
Now face to face, a few yards separate
The parties as the Elven soldiers halt;
Silence ensues, broken by nothing but
The pawing of the chargers’ hooves. 
                                                           What fault
(Begins the queen) inspired this rude assault
Upon my people? Now you may explain
Your perverse thinking, but no words exalt
Your explanation to excuse the pain
And suffering you’ve caused; What do you hope to gain?

28.
At which the middle rider of the row
Shies forth his mount, and stops before the host;
His hooded cape he gives a backward throw,
And so reveals his face, pale as a ghost;
He peers at Glorianne as if to boast;
She knows him straightaway, and just to see
His countenance — oh, how her heart is tossed!
He is the Queen’s most dreadful enemy,
Styled ARCHIMAGO, Emperor of Sorcery.

29.
Poor, Glorianna — you have derelicts
About you now, not one among them royal,
Whose low birth and base manner contradicts
Your dignity; Amidst this grave turmoil
You are in need of services most loyal
And most noble; Where is Prince Arthur’s band
Of knights?  For me they are a worthy foil;
This lot is hardly worth raising my hand;
I speak simply so all present may understand.

30.
This insolence with which the Sorcerer
Addresses her and denigrates her men
Has skillfully struck at her greatest fear;
She at a loss, he speaks up once again:

Clearly you know neither the where nor when
You might once more see them –  your dearest knight
And his compatriots; But this I ken,
As I ken things in and beyond my sight;
My sources speak to me, and they are always right.

31.
I am a just man, my sweet Glorianne,
The kindest ally, dearest friend you have;
To prove this I now offer you a plan —
With which if you agree, your folk you’ll save
From slaughter, or the hard fate of a slave;
With which if you agree, you’ll save your folk
From these my henchmen, doormen of the grave,
All thirteen of whom toil beneath my yolk,
Whose fury I release with my hand’s lightest stroke.

32.
(Replies the Queen:) Why should we be afraid
Of groveling henchmen, covered in their fear?
Nor is defeat as certain as you said;
Though Arthur and his fellows are not here,
You do not know how soon they will appear;
And if they don’t, we’ll triumph all the same;
(Her entourage gives her a heartfelt cheer;)
For these are fine men, free of blot or shame,
As fine as any men who carry nobler name.

33.
You do not hear me! (Archimago scowls,)
Or else you are too dull to understand;
I know when they will come;  Remove your cowls!
(He barks this to the riders close at hand;)
I act now long before the time I planned,
But it might teach you all to fear my might!

Then he withdraws behind the unknown band
Who have begun to bring out in the light
Their uncloaked faces; The Queen gasps at the sight.

34.
For one by one the sable cloaks reveal
The Elven faces of her noblemen:
First George, the Redcross Knight, who worked his will
Against the ghastly dragon, then Guyon,
Who faced the gross deceits of King Mammon,
And Britomart the chaste, so fierce and fair,
Just Artegall, Cambel and Triamon,
The courteous Calidore, and more are there —
Chief of them Arthur, all locked in demonic stare.

35.
Their eyes are riveted upon the wall
Of Glorianna’s lovely capitol;
Their eyes do neither blink nor move at all,
But stare and stare at that bright citadel
As if peering from out a doomed man’s cell
Upon the gibbet and the gallows tree,
Savage conveyance, rude, unnatural,
To some insufferable eternity;
They stare as if the rest were mere transparency.

36.
(Imaginatius calls:) They’re in a trance!

Let’s seize them now! (Enthuzias cries out.)

Swords draw on either side, and horses dance,
Anticipating by these sounds a bout;
But Archimago halts them with a shout.

Put up your arms; There will be war enough
Once we are finished here, without a doubt;
Unless, dear Queen, you see I do not bluff,
And so decide to treat with me, and not so gruff.

37.
The Queen stands just as transfixed as her Prince
From that first moment when she sees his face,
And even at the rattling of the lance
And sword, she does not stir from that first place;
So stunned is she, her thoughts no longer race;
She seems to share her dear Prince Arthur’s fate;
The form of her beloved she can trace,
But in her mind arises a debate:
How could her true Prince truly live in such a state?

38.
Is this my Arthur, or some phantom shape
You have concocted here of unknown part?
What though at first you set our mouths agape
At this uncanny working of your art?
This man is not him! You omit his heart,
Which always shines so brightly through his eyes;
Though, truth to tell, you’ve made a pretty start,
This true knight’s image has been built of lies:
All’s counterfeit without the part that never dies.

39.
So think you, lady, (answers Archimag;)
Are you so sure, so certain you are right?
I’ve stirred their souls into a troubled fog
Which is too turbulent to show a light —
And I will send them so into the fight
If you will not agree to hear my case;
Your pleasure, lady, is my one delight,
So hear me, or more vain objections chase.

He finds his answer in her grim, bewildered face.

40.
So now I’ll tell you what I want to do,
Since by your silence you consent to hear;
My great armadus has surrounded you
Not for your hate, but for your love so dear —
I long, sweet Glorianne, to have you near;
Were you not beautiful, you’d be unvexed;
You’d live ignored if you possessed a peer;
If less than splendid, you would not hear next
This my unprecedented plea, my lover’s text:

41.
I will release these knights, yes, every one,
Also disband these armies that you see,
I’ll leave them peaceful in the morning sun
If you will but consent to go with me;
This I propose — What will your answer be?

(Poor Glorianna, feverish with thought,
Can make no answer to this bleak treaty;
Her nobles’ freedom would be dearly bought –
If these are hers indeed!)  
                                         And still you answer not!

42.
Speak up, sweet Queen! (the Sorcerer demands,)
I’m growing angry at this dull delay!

You’ll give me time to think, (the Queen commands,)
And after I have thought, you’ll hear my say.

Then time to time I’ll send a fresh foray
Against your walls, these warriors in the lead,
And while we still enjoy the light of day,
You’ll be reminded how precious is speed
In lovers’ matters when so pressing is the need.

43.
So saying, Archimago wheels his steed
Toward the line of his awaiting host;
The line of knights then follows by his lead,
So strictly guided, yet utterly lost;
The queen, as in a fever, weighs the cost
Of Archimago’s brutal proposition;
Her men, each anxious to resume his post,
Wait patiently to hear their queen’s permission;
She startles, waking from her stunned, confused condition.

44.
Sharply she speaks:  We’ll now prepare to fight;
Responding to him is my task alone;
Until I do, we’ll harm no Elven knight — 
This is my statute firm; I’ll yield my throne
Only if  they were truly overthrown
By Archimag; I cannot think it, though;
Captain, instruct your men: Until it’s shown
The wizard’s allegations are proved so,
Whoever hurts a knight deals me a mortal blow.

45.
Imaginatius, name the messengers,
Then meet me in my tower on the square;
And bring a brave man from this band of yours,
For I shall have instructions for him there;
Now to our posts let each of us repair!

Their hope revived, homeward returns the band;
Soon cries of war and warning lace the air,
And all is furnished to the Queen’s command;
She oversees it all from her high tower’s stand.

46.
But there is terror knocking at her breast
As she turns inward from her balcony
To pace the tower chamber, for no test
Can she devise to tell with certainty
The thirteen riders’ true identity;
If true determination can be made,
She will not hesitate, but bartered be;
If they are phantoms, she will make no trade,
However high the price, however to be paid.

47.
Imaginatius is announced with one
Known to the queen. 
                                  She greets him: Fortus, why
Did I not think of you myself? There’s none
Of your stout group I could more fittingly
Have called upon — as you, yourself will see
When I describe the task I have for you.

Whatever it may be, your majesty,
(The soldier speaks,) please rest assured, I’ll do.

Still, hear me first, she says; We’ll see if this is true.

48.
Imaginatius says: You may rely
On Fortus, ma’am; You know I always have.

I know, she says and smiles, he will not shy
From what I ask of him; He’s called the Brave
For good reasons; But you are not my slave,
Fortus; What I request is dangerous —
No consequence to you if you should wave
It off. 
         He says: I’m yours, nought to discuss,
Good queen; Tell me your will and I will do it thus.

49.
The queen is stunned at this, taken aback;
Her heart revolving like the spinning earth;
She feels tears start their heavy downward track,
But stops them with a show of careless mirth.

We shall discuss it first; Will it be worth
The confidence you give unqualified?
She laughs; How can you know, with such a dearth
Of evidence? Blind faith I can’t abide;
Though yours does me some good, Fortus, I must confide.

50.
So listen now, she says: That Archimag
Showed us what was, I think, nothing but lies,
A brace of phantasms to set agog
Our minds and dazzle our confounded eyes;
What I ask you to do reason defies:
Will you, in brightest day, walk past our wall,
Despite the enemy, and search the lows and highs
For some intelligence of those in thrall?
Those images of knights — are they our knights at all?

51.
He thinks a moment, then he says: I will.
And with a short salute, exits the room.

His queen and captain are left mute and still;
As he descends the tower, engines boom
Outside the walls, and missiles hiss and zoom;
He hears crashes and cries of injured folk,
Emerging, sees the streets cast in a gloom
Of sulfur, and quick rising dust to choke
The squares where ballistae, great stones, have hit a stroke.

52.
He hurries northward to the weakened wall
Enthuzias mans facing Prince Enri.

As he moves out, he calls: Take shelter all!

For missiles are raining continually;
Fire balls and boulders fly, crash noisily,
And still he makes his way where soldiers lurk,
Due east, along the wall’s periphery
Up to the crumbled breach, midst dust and murk,
Bids comrades there farewell, then goes to start his work.

finis canto primo
Glorianna
Table of Contents
EpigraphsOde of DedicationProem
The Cantos
Canto ICanto VCanto IX
Canto IICanto VICanto X
Canto IIICanto VIICanto XI
Canto IVCanto VIIICanto XII
Appendices
L’EnvoiApologiaGender/
Aesthetics